Our students, past and present, produce a broad and diverse body of work. They undertake a wide range of cross-disciplinary research and many carry out placements to further support and extend this. Here we feature some of the exciting projects that they are involved with.

Student sees her research come to life

Ayshka Sene, was an AHRC funded doctoral student at the South West and Wales DTP, saw her research come to life after carrying out a 4-month placement on the television programme World War II: Witness to War.

Ayshka’s research relates to British women and internment in France during the Second World War and her three years at the School has given her the opportunity to work with a variety of sources including oral history interviews conducted with survivors, and written accounts, diaries, and letters from various archival holdings in the UK and Europe.  She was keen to see how research can inform television content and how it could be disseminated beyond academia. Consequently, when Professor Hanna Diamond was interviewed for World War II: Witness to War she enquired about placement opportunities with the production company, Like a Shot Entertainment.


As a result, Ayshka worked with the company from February to May 2017, sourcing all eye witness testimonies which formed the basis of the series. Ayshka also worked as an Assistant Producer on filming days with academic experts and provided the research and background for three episodes in the series. Talking of her experience, Ayshka said, “Working as a researcher with Like A Shot was a rewarding and eye opening experience. It was great to see how my skills as a researcher can be easily transferred to documentary research and that my findings could inform and bring fresh perspectives to the documentary series.”.

Dr Sene has gone on to become a Post-doctoral researcher on the H2020 funded UNREST project (‘Unsettling Remembering and Social Cohesion in Transnational Europe’) where her main responsibilities have been the creation and coordination of a MOOC (Massive Open Online Course), ‘How we remember war and violence: theory and practice’, based on the project’s findings.

SWW DTP Alumni Amy King talks about her project working with Bristol dockers


“You could walk around and you’d hear these seamen talking Spanish, or Italian, or other languages, and they would throw you oranges. Course I’m talking just after the war, rationing was still in place and it was seeing the world come to you really.”


In November 1974, the last trading ship sailed out of the Bristol City Docks. For many men, this marked the end of the only working life they had known; some found work in Avonmouth, while others changed jobs completely.

In its heyday, ships came into the City Docks from all over the world, bringing with them cargo and crew from Europe and beyond. There was cork from Portugal, oranges from Spain, and wood from Scandinavia (not to mention the Guinness that came from Dublin or the wine from Southern Europe).



Today, though, the space of the former City Docks is mainly one of leisure – a place of calm in the heart of the city. With the exception of the four majestic cranes that stand over the water as memorials to a lost industry, little remains of the lives and livelihood of Bristol’s dockers.

Thanks to funding from the SWW DTP, I was able to spend several months listening to archived interviews with Bristol dockers and doing some more of my own with the aim of bringing the original dockers’ voices back into the spaces of the former City Docks.

I learned that dockers from Bedminster Down wore red neckerchiefs, while those from Parson Street wore green. I also heard about the international visitors to the city docks, the cargo they brought and the songs they sang. I then worked with a sound engineer to build themed tracks, covering topics including the struggle to get a day’s work, the social life at the Dockers’ Club and the pilfering of Guinness.

After making the soundscape, I was lucky enough to work with the Bristol Ferry Company to put together a shadow puppet show for Docks Heritage Weekend in 2018. Kim Fielding – outreach co-ordinator for the ferry company – worked with Adri Piqueras, an Aardman animator, to create the brilliant shadow puppets you can see in the video below. The soundscape was created by Suitcase Sound, a local sound artist.

This year, I’ll be working with ACH Smith – the playwright behind Up The Feeder, Down the Mouth – to put on a short performance piece using the dockers’ stories he collected in the 1990s and some of my more recent interviews. The show will be performed at M Shed over Docks Heritage Weekend.

© 2019 South, West & Wales Doctoral Training Partnership

Privacy Policy